Le_carlson

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  • harleyplays:

Too true to be funny.

No Diego, NO!

    harleyplays:

    Too true to be funny.

    No Diego, NO!

  • The Soccer Mom

    runofplay:

    Sometime during the run-up to the 1996 Presidential election, a Republican political advisor named Alex Castellanos told a reporter from the Washington Post that incumbent Bill Clinton was going after a newly identified demographic of American voters called “soccer moms.” Middle-class, suburban, and constantly on the go in her loaded Dodge Caravan, the Soccer Mom represented a burgeoning group of swing voters key to the outcome of the election. Soccer Moms were family-first, possibly affluent, generally moderate, not necessarily assured of voting lockstep with their husbands, and therefore totally up for grabs. In other words, Soccer Moms were America’s political future.

    The ‘96 election set in motion a series of events that culminates with this writing. After more than 15 years and the loss of countless hairs while watching the good name of soccer being dragged through the mud as part of a phrase that sums up everything soccer isn’t supposed to be, I’ve been compelled to lash out against this ruinous phrase.

    I detest the Soccer Mom. 

    Read More

  • nprradiopictures:

Photo By Optickarma
This photo was taken by Optickarma, one of our Flickr group users, at the end of the England versus Holland soccer match at the Wembley Stadium on Feb 29. The photo is a long exposure shot of around 80,000 fans emptying the stadium after the match and heading towards the subway station. The mounted police regulate the crowd to prevent overcrowding in the station.
Submit to The Picture Show Flickr group here.

    nprradiopictures:

    Photo By Optickarma

    This photo was taken by Optickarma, one of our Flickr group users, at the end of the England versus Holland soccer match at the Wembley Stadium on Feb 29. The photo is a long exposure shot of around 80,000 fans emptying the stadium after the match and heading towards the subway station. The mounted police regulate the crowd to prevent overcrowding in the station.

    Submit to The Picture Show Flickr group here.

  • indiemondayarchives:

/ website / facebook /
an afternoon with Phantom Note Productions
Last Friday, we hung out with Sam Edgin, founder of Phantom Note Productions.  The idea was just to get to know him a little better, hear how things  were going, and get enough info to write a good feature for his website.  We drove around for a couple hours as he showed us the venues  he books for, and as we chatted, we realized that what Phantom Note  is up to is way way cooler than we’d thought.


Sam, a Chicago native, has been part  of the local music scene since high school. He’s spent the last several  years working for different production companies around the city, booking  for well-known venues including Subterranean and Beat Kitchen. Though  enjoying his job, he became increasingly frustrated with how the industry  interacted with bands. In this city, a band is bookable if they draw a good crowd,  not if they’re a good band. From a venue’s perspective, this makes  perfect sense, but for new bands, it’s a very difficult thing to navigate.  You have to get your foot in the door somehow, but if you take a show  and don’t draw the right amount of people, you hurt your chances of  getting booked again. And if you’re just starting out, you most likely  won’t draw enough people.

Sam also plays in a band,  and knows exactly how that feels. It is this tension that led him to  start his own company, Phantom Note Productions, and to found it on  a love of music and Chicago, not numbers. Using his connections, Sam landed a few nights he books weekly at clubs around the city, including  the Volcano Room at the Bottom Lounge, and the legendary Fireside Bowl.
Volcano Room

Fireside Bowl

He has also turned a neighborhood dive bar, El Mamey into Chicago’s newest venue.  El Mamey is a block from Humboldt Park and is as inauspicious as could  be. With no stage and filled with kitschy decorations and Christmas  lights, it seems an unlikely place to host bands most nights of the  week. It works, though, and largely due to Sam.
El Mamey




The vision behind Phantom Note is to  put together a bill of good bands every night. It’s to draw together  the Chicago community based on their love of music and desire to support  each other, instead of focusing on which bands bring the biggest crowds. It’s a mindset that goes back to the pre-internet days, where you had  to see a band live to know if you liked them, and bought their CD  if you did. Of course, those days are long gone, but what Pandora and  Spotify can’t offer is the sense of community that is shared by a  crowd at a live show.

This isn’t the kind of thing that just happens,  though, which brings us to the second value held by Sam and Phantom  Note. He is a huge believer in doing it yourself. And it’s not easy.  Because of the commitment to helping the local scene, Phantom Note does  not generate a lot of profit, meaning Sam also works two separate jobs.  “I’m a big believer in doing it yourself,” says Sam, “but I’m  coming to realize how important it is to do things together.” And  then we realized that Sam doesn’t just want to start a production  company. He’s not trying to just book shows. He wants to change the  face of music in Chicago. Because Phantom Note has the power to books  shows, it’s the perfect tool to give bands a foot in the door and  make them a part of a Chicago family. And even though the shows are  at dive bars with 100 person caps, the point is to build something together.  On any given night, Sam wants people to show up at one of his venues  just to see who’s playing, even if they’ve never heard of them.  That is truly supporting local music.

If you’re part of a band in Chicago,  you’re invited to be a part of this. If you’re not in a band, you’re  still invited. Phantom Note wants to do it together. And if you question  how committed they really are, we happened to a go to a show at El Mamey  after the interview. Sam was the doorman. He spent most of Friday night  sitting at a table by the door, checking IDs. No one other than the bands knew that he’d put all  of it together. So how’s that for doing it yourself? Sam’s all over  that.
Now it’s up to us to support our local shows, support Phantom  Note online, and get in touch with them to book a show. But become a  part of what’s going on and let’s do it together.
.Dan Hawthorne
 *all photography by Kimmy from Birchblue Photography (click)

    indiemondayarchives:


    / website / facebook /

    an afternoon with Phantom Note Productions

    Last Friday, we hung out with Sam Edgin, founder of Phantom Note Productions. The idea was just to get to know him a little better, hear how things were going, and get enough info to write a good feature for his website. We drove around for a couple hours as he showed us the venues he books for, and as we chatted, we realized that what Phantom Note is up to is way way cooler than we’d thought.



    Sam, a Chicago native, has been part of the local music scene since high school. He’s spent the last several years working for different production companies around the city, booking for well-known venues including Subterranean and Beat Kitchen. Though enjoying his job, he became increasingly frustrated with how the industry interacted with bands. In this city, a band is bookable if they draw a good crowd, not if they’re a good band. From a venue’s perspective, this makes perfect sense, but for new bands, it’s a very difficult thing to navigate. You have to get your foot in the door somehow, but if you take a show and don’t draw the right amount of people, you hurt your chances of getting booked again. And if you’re just starting out, you most likely won’t draw enough people.



    Sam also plays in a band, and knows exactly how that feels. It is this tension that led him to start his own company, Phantom Note Productions, and to found it on a love of music and Chicago, not numbers. Using his connections, Sam landed a few nights he books weekly at clubs around the city, including the Volcano Room at the Bottom Lounge, and the legendary Fireside Bowl.

    Volcano Room



    Fireside Bowl



    He has also turned a neighborhood dive bar, El Mamey into Chicago’s newest venue. El Mamey is a block from Humboldt Park and is as inauspicious as could be. With no stage and filled with kitschy decorations and Christmas lights, it seems an unlikely place to host bands most nights of the week. It works, though, and largely due to Sam.

    El Mamey









    The vision behind Phantom Note is to put together a bill of good bands every night. It’s to draw together the Chicago community based on their love of music and desire to support each other, instead of focusing on which bands bring the biggest crowds. It’s a mindset that goes back to the pre-internet days, where you had to see a band live to know if you liked them, and bought their CD if you did. Of course, those days are long gone, but what Pandora and Spotify can’t offer is the sense of community that is shared by a crowd at a live show.




    This isn’t the kind of thing that just happens, though, which brings us to the second value held by Sam and Phantom Note. He is a huge believer in doing it yourself. And it’s not easy. Because of the commitment to helping the local scene, Phantom Note does not generate a lot of profit, meaning Sam also works two separate jobs. “I’m a big believer in doing it yourself,” says Sam, “but I’m coming to realize how important it is to do things together.” And then we realized that Sam doesn’t just want to start a production company. He’s not trying to just book shows. He wants to change the face of music in Chicago. Because Phantom Note has the power to books shows, it’s the perfect tool to give bands a foot in the door and make them a part of a Chicago family. And even though the shows are at dive bars with 100 person caps, the point is to build something together. On any given night, Sam wants people to show up at one of his venues just to see who’s playing, even if they’ve never heard of them. That is truly supporting local music.



    If you’re part of a band in Chicago, you’re invited to be a part of this. If you’re not in a band, you’re still invited. Phantom Note wants to do it together. And if you question how committed they really are, we happened to a go to a show at El Mamey after the interview. Sam was the doorman. He spent most of Friday night sitting at a table by the door, checking IDs. No one other than the bands knew that he’d put all of it together. So how’s that for doing it yourself? Sam’s all over that.

    Now it’s up to us to support our local shows, support Phantom Note online, and get in touch with them to book a show. But become a part of what’s going on and let’s do it together.

    .Dan Hawthorne

     *all photography by Kimmy from Birchblue Photography (click)

  • FUCK YEAH DAVE

    FUCK YEAH DAVE

  • tonythaxton:

thesochillnetwork:

Close enough

Fantastic.

    tonythaxton:

    thesochillnetwork:

    Close enough

    Fantastic.

  • tonythaxton:

Happy T.Hanksgiving everyone!  (Taken with instagram)

    tonythaxton:

    Happy T.Hanksgiving everyone! (Taken with instagram)

  • So, this is how I’ll be singing this song from now on.

    motioncitysoundtrack:

    Here we are at @yogabbagabba live in Detroit, playing a reworked kid-friendly version of “Everything Is Alright”.  

    (Source: motioncitysoundtrack)

  • le_carlson: RT @Section8Chicago: @PaladiniXI Good luck washing off the hippie stink from @KyleBeckerman dreadlocks. #cf97→
  • le_carlson: @pattyberron Just gave me a huge win over CBus in #FIFA12. Thanks, bud!→